Wednesday, February 27, 2013
Thursday, December 27, 2012
Lantern - Begining of the War of the Worlds, Two Guitars One Amp
12/23/2012 3:45am
Bryce Brushnefski - Guitars
Joseph Henaghan - Guitars
Orson Welles - Terrorism
http://archive.org/details/Lantern-BeginingOfTheWarOfTheWorldsTwoGuitarsOneAmp
Friday, December 7, 2012
Doomfuck - Live at Backwoods Pondfest 2012
Recorded by Jamie Armstrong
https://soundcloud.com/doomfuck/backwoods-pondfest-2012
Catie Wurster- upright bass
Shannon Stott- violin
Christina Nori- vocals
Leta Gray- electric guitar
Will (Kelly) Scheiflee- acoustic guitar, accordian
Matt Hall- drums
Friday, November 16, 2012
Monday, November 12, 2012
John and Joseph Henaghan, 2012 (AKA HENAGHAN6661&2)
Recorded at Brahmans Corners, Westerlo NY Summer 2012.
Henaghan#1: Guitars
Henaghan#2: Drums
http://archive.org/details/Henaghan666122012
Henaghan#1: Guitars
Henaghan#2: Drums
http://archive.org/details/Henaghan666122012
Sunday, November 4, 2012
Stutter at 7, Demo and Die Die Diabetic
http://archive.org/details/StutterAt7-Demo
http://archive.org/details/StutterAt7-DieDieDiabetic
Little did I know that Ben Rush would someday become my brother in law.
http://archive.org/details/StutterAt7-DieDieDiabetic
Little did I know that Ben Rush would someday become my brother in law.
Womb Crusher 2: Fingering The Abyss
Meghan Baker - Bass, Drums
Joseph Henaghan - Guitar, Drums
File Under: Pain, Suffering, Redemption through Vibration
2012
http://archive.org/details/WombCrusher2FingeringTheAbyss
Joseph Henaghan - Guitar, Drums
File Under: Pain, Suffering, Redemption through Vibration
2012
http://archive.org/details/WombCrusher2FingeringTheAbyss
Saturday, November 3, 2012
Thursday, October 4, 2012
Lantern - Demo 03
Thanks to "Anonymous" who provided this gem. Back then, it was just drone. Before the white noise crept in and started to devalue any concept of musicality.
This is what happens when you work night shift in a comic book warehouse and live in a cave.
Bryce Brushnefski - v4, samples
Joseph Henaghan - v4, drones
Tony Hopkins - Screams and Cries.
http://archive.org/details/LanternDemoO3

This is what happens when you work night shift in a comic book warehouse and live in a cave.
Bryce Brushnefski - v4, samples
Joseph Henaghan - v4, drones
Tony Hopkins - Screams and Cries.
http://archive.org/details/LanternDemoO3

Monday, October 1, 2012
Husk - Demo's
Trevor never responded to my request for permission to host this on the interwebs, so whatevs.
http://archive.org/details/Husk-DemoRecordings
Late 90's quasi-straight-edge-hard-core-ish
Thursday, September 27, 2012
Henaghan666 - Displacement
http://archive.org/details/Henaghan666-Displacement
May 17th, 2006. Guitar and nothing more. One vision, above Kali with random and whimsy for none.
May 17th, 2006. Guitar and nothing more. One vision, above Kali with random and whimsy for none.
Sunday, September 16, 2012
Review of Lantern - Pupa on splicetoday.com
http://www.splicetoday.com/music/three-larks-in-boomerang-schwing
Judging by Joseph Henaghan's blog, he is something of a musical-project slut, lending a discordant guitar to assist and enable any and all comers. What makes Henaghan unique, in my eyes, is that downloadable evidence of his every creative entanglement surfaces on archive.org, that steadfast outpost of random modern obscurity and ubiquity. His motto—“I will make sounds that melt your head”—should tell you everything you need to know, though it is recommended that you give his oeuvre a test drive to get a cursory sense of what he’s capable of.
If you don’t have time for that, just grab the 30-minute long “Pupa,” which Henaghan cut with Bryce Brushnefski, another guitar interrogator of unusual sensitivity and tenderness, as Lantern. The discordant fruits of the duo’s musical union are blowtorch subtle, with a great deal of atonal parry, holler, and heave: sometimes the point seems to be cock (rock)-measuring blunder, sometimes there are wonderfully wrongheaded and tinnitus-enabling attempts to escape Earth’s orbit, sometimes they appear to lose consciousness altogether, and then sometimes both determinedly uncouth axmen seem to be feeling their way blindly through a cruel, unforgiving world free of guideposts, mood stabilizers, and clean amplifier tone.
What I enjoy, though, is that as much as Henaghan and Brushnefski are making “Pupa” up as they go along, there’s a self-cannibalizing hook/motif at the core of this white-hot navel gaze that offers the listener something of a sonic signal light to follow through to the light at whatever k-hole they’re leading you into. I stop just short of using the phrase “idiosyncratic sonic signal” because either these dudes are serious mid-career Dead C. stans or I stumbled into the mother of all coincidences."
Subscribe to:
Posts (Atom)